Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?
On the fifth of December 2024, a leading publication published the headline “Insurance CEO Shot Dead In Manhattan”. The report then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then walked coolly away”. The daytime killing was indeed both cold and shocking. But many Americans had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt cathartic. Social media blew up. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company designed to maximize profits on your health.”
Less than a week after, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a graduate degree in computing, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with prosecutors seeking the capital punishment. So who is Mangione? And what drove the accused offense? These are the issues John H Richardson seeks to resolve in an inquiry that explores broader themes, too.
Understanding the Person
A writer for a major publication, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, writing stories about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their subject matter covered climate change to masculinity, along with a “focus on his own personal growth, both body and mind”. Additionally, Richardson analyzes his correspondence with influencers and authors as well as his many posts on digital networks. These primary sources, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in archetypal terms.
Mangione is profoundly worried about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “remove”, etched on the ammunition left behind at the crime scene. These are the terms sometimes used by medical insurers to reject claims. He examines the indication Mangione had a long-term spinal issue, which might have provided motive for an attack, but discovers no confirmation; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, moving rapidly to the edge”; a world where the consensus seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.
Missing Pieces
Notably missing from the book are interviews with the key individuals. Richardson made requests, but never expected time with Mangione himself. And his relatives stated explicitly that they had chosen not to talk to the media in prior to the trial. Another glaring gap is any significant information about the victim, Thompson, though we learn that under his guidance, from 2021 to 2023, UHC profits increased by 33%.
Unclear Conclusions
By the conclusion, the audience has no clear understanding of Mangione’s character or what might have motivated his alleged crimes. Worse still, Richardson’s apparent empathy for him creates the uncomfortable impression of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson presents his mythical interpretation: “We’ve entered a era of stories, the mad king, the beast in the labyrinth and the emperor without clothes.” In that tale “outlaw heroes come with a appealing vow … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence dismissed, any reference of myths, Robin Hoods, champions or villains will not be allowed in court in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.